Los Poncheros, the graphic novel, is now up online here losponcheros.com.  You can read the first 15 pages for free.  More chapters to come later.  The website also includes story background, character bios, and my own bio.

Shout out to this tutorial, Comic Press wordpress theme, Comic Easel, and Dreamless graphic novel for helping me to make it look nice.

web comic graphic novel online free

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Paul Valéry once said, “A poem is never finished; it is only abandoned.”  The same can be said for a screenplay.  You can go through dozens of drafts until finally a producer or financier gives the green light.  More likely though is you move on to another idea and hope that one day the screenplay you put down for a sleep will wake up and come calling again.  Or you could be like Derek Cianfrance and do 66 drafts of your screenplay.

For me, the act of moving on to another script has to be marked with a symbolic act.  And that act for me is making a movie poster.  So without further ado, here are two movie posters for my two most recent scripts.

Los Poncheros cover


Los Poncheros logline: The racially diverse members of a poncho-wearing gang find themselves on opposing sides of a developing conflict in a turbulent Western territory. The former friends must choose between their old ideals of cooperation and diversity and the territory’s current ideals of individualism, greed, and segregation.

The Searchers western movie poster The Female Bunch exploitation film movie poster Silverado western movie poster










Inspirations behind the movie poster: Although Lew Dang, aka The Asian Ponchero, should be viewed as the protagonist, Los Poncheros could also be considered an ensemble feature much like other Westerns such as Silverado or Lonesome Dove.  In trying to showcase the diversity of characters in the story, I decided [click to continue…]

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Finding the Illustrator

After having no luck searching for and emailing illustrators to request their skills (and yes, I said I would pay), I decided to let the illustrators come to me to do my graphic novel, Los Poncheros.  I went on the contracting service Upwork and put up a detailed job posting for a graphic novels illustrator.  I received over 15 proposals within a week.  I was pleasantly surprised that the majority of them were quite skilled.  I got proposals from male and female illustrators in the U.S., France, Brazil, Vietnam, and Poland.  I shortlisted the candidates down to five and I asked them to do a free sample page from my script.  All of them agreed, but only four returned actual samples.  For a graphic novel, I think receiving samples from an illustrator is important because most can replicate many styles.  However, you just don’t know how that style will mesh with your writing style and the tone of your story until you see it.  After two weeks, I received all of the samples back and I settled on one illustrator.

*Note – My proposal ended up being for 20 illustrated and colored pages, so one sample page (penciled) was a relatively easy ask for the illustrators.  If you have a smaller project, you might have to pay for a sample, which could still be worth it to make sure you got the write person.

Working with the Illustrator

Working with an illustrator on Upwork is pretty convenient.  All of your messages, contracts, and attachments are stored on the website for eternity and can be searched by keyword.  Upwork acts as the impartial intermediary.  Still, the relationship between writer and illustrator is just as susceptible to miscommunication and arguments as if you were working with a good friend.  As the creator/writer, you are paying the illustrator and you are in charge of making sure the work is delivered the way you want it, but you should still treat the illustrator as your partner, if not equal.  When your graphic novel takes off and gets picked up by a publisher, you may need them on your team.  There should be some give and take to keep the relationship healthy. [click to continue…]

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Los Poncheros graphic novel page 2 pencilMy story, Los Poncheros, went from feature script to TV pilot to graphic novel

First, here is some background on my story, Los Poncheros: 
 The racially diverse members of an outlawed, poncho-wearing gang find themselves on opposing sides of a conflict in a turbulent Western territory. The former friends must choose between their old ideals of cooperation and diversity and the current ideals of individualism, greed, and segregation.

After completing the feature script of Los Poncheros, I was able to get my wife and my best friends to read it.  I even had a women-only book club read it and was invited to their meeting to discuss it with them.  Although, only two of the six members actually read it.  I learned something from everyone that provided feedback.  I learned which characters and scenes they liked and didn’t like.  Most importantly, I found out about which parts were confusing.  As a writer, you will think your story is super clear as well as super brilliant, but oftentimes the reader will get lost in your script.  You could just say, “Well, it will make sense on the big screen,” but it should really make sense in the script first.

After exhausting my network of free readers, I realized I had to get some professional feedback.  I needed people that read scripts for a living to dive deeper into my structure, plot, tone, arcs, and themes.  I needed notes on the script written out as opposed to coming in casual conversation.  There are many script review services that you can find online or in the Reddit community, but these are the three that I used: The Black List, ScriptGal, and The Screenplay Mechanic.  My primary goal for using all of these services was to improve the story.  Of course, I secretly hoped that they would all love the story and boost my ego, but really, one’s friends and family should serve that role.

Here’s what I learned from the three services.  I have also attached their full evaluations. [click to continue…]

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Chicken On Wire

by Jimmy on November 28, 2012

To fulfill his destiny and experience the highs of glory, a man prepares to walk across a slackline with his beloved chicken.

Making the Movie:
Man On Wire is one of my favorite movies of all time.  Not only was the movie a remarkable work of art and clever docuthriller, but Philippe Petit’s grand imagination and single-minded focus on achievement influenced me greatly.  Philippe, like other steadfast documentary protagonists such as Jiro Ono of Jiro Dreams of Sushi or Steve Wiebe of King of Kong – A Fistful of Quarters, taught me that no matter how straightforward (making the best sushi) or trivial (high score on an arcade game), making reality of any dream is one of the greatest highs in life.  Dreaming is a comfortable bosom in which to lay, however, after a pause you should come to realize that she’s a nasty old mistress who will keep you prone and intoxicated your whole life.  Be prolific in accomplishing those simple, trivial, wild, inexplicable dreams and real life will essentially become one long, sweet dream. [click to continue…]

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